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1962 Newport Jazz Festival jazz poster - Newport, Rhode Island

1962 Newport Jazz Festival jazz poster - Newport, Rhode Island

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SecondTakeJazzArt presents...
a high-quality unframed poster featuring original upgraded artwork commemorating some of the most famous live performances in jazz history:

The 1962 Newport Jazz Festival
the triumphant return of the NJF to Freebody Park under George Wein's leadership
featuring the legendary appearance of Aretha Franklin with Duke Ellington & His Orchestra

the July 6-8, 1962 festival in Newport, Rhode Island
featuring:
Louis Armstrong & His All-Stars
Duke Ellington & His Orchestra
     with Aretha Franklin
Coleman Hawkins
Roy Eldridge
Max Roach Quartet
     plus Choir of 16 Voices
Charles Mingus Sextet
     featuring Booker Ervin, Richard Williams, Charles McPherson
Oscar Peterson Trio
Count Basie Orchestra
Dave Brubeck Quartet
     featuring Paul Desmond
Thelonious Monk Quartet
     featuring Charlie Rouse
Carmen McRae & Her Trio
Gerry Mulligan Quartet
     featuring Bob Brookmeyer
Joe Williams
Harry "Sweets" Edison
Roy Haynes Trio
    with Toshiko Akiyoshi
Gene Hull Orchestra
Carol Sloane
Sonny Rollins & Co.
Abbey Lincoln
Joe Bucci Organ Trio
Clara Ward Gospel Singers
Jimmy Rushing
Pee Wee Russell
Ruby Braff
Budd Freeman
Lambert Hendricks & Bavan
Roland Kirk Quartet
Tony Tomasso & The Jewels of Dixieland
plus more

Featuring the Newport debut of (later Rahsaan) Roland Kirk — billed as "The Newport '62 Discovery of the Year"!

And Thelonious Monk sitting in with the Duke Ellington Orchestra on "Monk's Dream" and "Ba Lue Bolivar Ba Lues." (arrangements by Billy Strayhorn)!

https://www.youtube.com/watch?v=ZUB72NfTQLM

IMPORTANT INFO

 

1) First and foremost, all our posters are MODERN CREATIONS — they are NOT vintage pieces or antiques! Our posters are printed on-demand from our own ORIGINAL art files that we've created ourselves within the last few years. (Read on for more details.)

2) We offer our posters UNFRAMED ONLY! Our preview images demonstrate how our posters look framed in various real-world environments; however, we do NOT include frames when you order our posters! Offering our posters UNFRAMED ONLY helps us keep our production and shipping prices lower, and it allows our customers to choose their own frame styles and materials to match their taste, décor, and budget.

3) Our preview images are FOR ILLUSTRATIVE PURPOSES ONLY. Please note that digital images are typically more vibrant than printed posters. Also, due to printing variations and editorial decisions, you can expect that the colors, details, etc. in the actual posters you receive may vary somewhat from their representations here. (Some preview images we show have been WATERMARKED for security purposes. Don't worry — these marks do NOT appear on the finished product.)

4) Do NOT use dry mount or heat press processes on our posters — doing so may DAMAGE them! Our posters are special digital prints that are prepared using vivid inks and finishes that can make them HEAT-SENSITIVE. (If you wish to frame or mount our posters, we recommend a light application of a gentle archival spray adhesive instead.)

5) In general, our posters look what we like to call "PERFECTLY IMPERFECT." The events they publicize occurred in the distant past, and therefore the original source materials from which they derive often include not-so-minor COSMETIC FLAWS — folds, creases, scratches, spots, marks, smears, ghosting, discolorations, printing glitches, etc. In addition, some of the primary vintage advertising pieces contain TYPESETTING ERRORS — mistakes, typos, misspellings, etc. We elect to leave almost all of these issues INTACT. This serves to reflect the rushed nature of publicizing live jazz (with its often hurried programming and last-minute personnel changes), and when names are misspelled, these goofs reveal how some of the now-famous participants were still relatively early in their careers and not yet widely known. We always aim to strike a balance when preparing these "antique" materials for modern printing — holding onto their nostalgic, vintage-looking charm as much as possible — "warts and all" — while fixing issues primarily when they significantly hinder legibility. (Please be sure to ZOOM IN on our preview images to examine each poster closely.)

 And where do these posters come from?

Our mission at SecondTakeJazzArt is to produce high-quality visuals that commemorate celebrated live performances by jazz legends from the distant past. We particularly focus on renowned club or concert appearances that have been preserved by fan-favorite recordings — legendary shows for which little to no advertising ephemera survives (or was ever created).

SecondTakeJazzArt strives to fill in these gaps with carefully researched, highly detailed facsimiles of said missing ephemera. Our poster designs combine the verifiable performance information with vintage source materials (imagery, branding, type, etc.) and original elements (derived from or inspired by contemporaneous advertisements of the same/similar events in posters, handbills, newspapers, magazines, festival programs, album covers, etc.).

In general, the posters we've created for SecondTakeJazzArt fall into three categories:
1) the majority are our own wholly new original designs;
2) others are our own original enhanced designs (new versions of vintage poster designs that we've significantly edited, adjusted, reconfigured, etc. ourselves); and
3) a few are our own original upgraded designs (new "straight" reproductions/reprints of vintage posters that we've painstakingly retouched ourselves).

SecondTakeJazzArt produces decorative tributes that aim to delight the viewer, not forgeries or fakes that aim to deceive them. Our goals are to either faithfully recreate and/or authentically mimic something close to what might have been or reproduce in higher fidelity what's largely been lost.

We sincerely hope you do enjoy our posters, and find them to be worthy constituents of your home or office décor.

All posters designed and printed in the U.S.A.

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